Father, Son, Holy Ghost | ||||
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Studio album by Girls | ||||
Released | September 7, 2011 | |||
Recorded | 2011 San Francisco, USA |
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Genre | Indie rock | |||
Length | 53:29 | |||
Label | True Panther Sounds | |||
Producer | Girls, Doug Boehm[1] | |||
Girls chronology | ||||
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Singles from Father, Son, Holy Ghost | ||||
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Father, Son, Holy Ghost is the second album by the indie rock band Girls, released September 13, 2011 on True Panther Sounds in the United States, September 12, 2011 on Fantasytrashcan/Turnstile in Europe, September 7, 2011 in Japan on Fantasytrashcan/Turnstile and September 14 in Mexico on Arts & Crafts México.[2][3][4] The album peaked at #37 on the Billboard 200 and has received generally positive reviews.[5][6]
Contents |
The album cover for Father, Son, Holy Ghost was first revealed in a web widget on True Panther Sounds' website in early July, 2011. The album was later announced on July 7, 2011.[7][8]
The album's first single, "Vomit," was released as a MP3 download on July 20, 2011.[9] A music video for "Vomit," which featured lead singer Christopher Owens driving on a city street in a 1966 Ford Mustang, was later released on August 8, 2011.[10] A second single, "Honey Bunny," premiered August 23, 2011 on All Songs Considered.[11] A music video for "Honey Bunny," which featured Christopher Owens' girlfriend and was inspired by the video for Ariel Pink's "Life in L.A.", premiered on the New York Times website on September 20, 2011.[12] The album was streamed in its entirety on The Guardian on September 6, 2011.[13]
Father, Son, Holy Ghost is the first Girls album to feature drummer Darren Weiss, keyboardist Dan Eisenberg and guitarist John Anderson; Girls first album was previously a collaboration between lead singer Christopher Owens and JR White. The album was recorded in San Francisco's Golden Gate Studios and Los Angeles' The Sound Factory. Doug Boehm produced the album.[1][14]
In an interview with Spin, Owens said the album's title was chosen to reflect music's spiritual quality.[1]
Father, Son, Holy Ghost was heavily influenced by music from the 1960s and 1970s. Bands that influenced the album's sound included Deep Purple, Elvis Costello, Paul Simon, Beach Boys and Pink Floyd.[15][16][17][18] Several writers related Father, Son, Holy Ghost to a larger trend of indie artists reaching back to past decades for inspiration.[15][16][19]
With regards to individual tracks, critics compared the album's opening track "Honey Bunny" to surf rock.[15][16] The track "Die" is a heavy metal song and was influenced by Fleetwood Mac's "Oh Well." Christopher Owens called the album's final track, "Jamie Marie," a Randy Newman song.[19][20]
Both "Honey Bunny" and "My Ma" were written about Owens' relationship with his mother. Owens said about "Honey Bunny: "I recorded [Honey Bunny] knowing she would hear it, and acknowledging that she was good to me [..] She’s always thinking that I think she’s a bad mom. When I played that for her, it was a very emotional moment. Because I don’t begrudge her at all. It’s just one of those situations, you know. It wasn’t her fault." For "My Ma", the song was "like confessing to my mom" for Owens, an extension of "Honey Bunny" and "talking about needing her in my life still."[19]
"Vomit" and "Jamie Marie" were both written about Owens' ex girlfriends. The title for "Vomit" was inspired by the Book of Proverbs aphorism As a dog returns to his vomit, so a fool repeats his folly. On the song's subject matter, Owens said: "When I’m writing, 'I’m running around looking for you baby,' I literally would be running around, sometimes at night, going to certain bars I know my girlfriend was going to, seeing if she was there." "Jamie Marie" was about a girlfriend Owens left behind in Amarillo, Texas when he moved to San Francisco.[19]
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [18] |
The A.V. Club | (A-)[17] |
Consequence of Sound | [21] |
The Guardian | [22] |
Paste | (9.0/10)[23] |
Pitchfork Media | (9.3/10)[15] |
Popmatters | (9/10)[16] |
Rolling Stone | [24] |
Spin | (9/10)[25] |
Father, Son, Holy Ghost has received mostly positive reviews. On the review aggregate site Metacritic, the album has a score of 79 out of 100, indicating "Generally favorable reviews."[6]
Zachary Houle of Popmatters thought the album was superior to Album, writing "Unlike past Girls’ outings, Father, Son, Holy Ghost is bracingly immediate, a collection of songs that don’t have to grow on you—songs that are fully realized and lovable at first blush."[16] Consequence of Sound's Möhammad Choudhery also thought the Father, Son, Holy Ghost was better than the band's debut album, writing "And so for a whole lot more reasons – some old, some new – Father, Son, Holy Ghost outdoes its forebears in, for the second straight time, about every way imaginable. In place of Album‘s sometimes hard-to-swallow, wallowing self-pity, Holy Ghost is streaked with a buoyant, some might call it spiritual, sense of self-consciousness, while maintaining the endearing timidity."[21] Some reviewers praised Girls for sounding original despite being heavily influenced by music from previous decades. Paste's Stephen Deusner declared "In that regard, this album not only surpasses its predecessor but raises the bar for any band, indie or otherwise, mining the past for inspiration."[23] Pitchfork Media's Mark Richardson gave the album a Best New Music designation, writing "Since the retirement of LCD Soundsystem, San Francisco's Girls [...] just might be the band best making use of the current situation. Their music pilfers from the past without shame but also manages to sound like no one else." Richardson continued: "This lyrical simplicity shouldn't obscure the fact that these are sharply constructed songs that take unusual turns."[15]
Allmusic's Jason Lymangrover, on the other hand, criticized Father, Son, Holy Ghost for being more indulgent than Album, writing "All too often, artists follow up a breakout debut with a difficult sophomore outing, and Girls fall prey to the syndrome, overcompensating for average songs with dazzling instrumentation." Lymangrover concluded: "The good news is that this album proves they are top-level purveyors of pop. The bad is that the eccentricity that once flowed freely feels forced."[18] In another mixed review, Dusted Review's Jennifer Kelly called the album "inconsistent," writing "The good songs — 'Honey Bunny,' 'Alex,' 'Die,' 'My Ma' and, especially, 'Vomit' — are clustered near the front. The bad ones, chief among them 'Saying I Love You,' wrap trivial sentiments in precocious pop arrangements and conjure Lite FM mainstays like Bread, Poco, America and Rupert Holmes [...]."[26]
Father, Son, Holy Ghost has appeared on a few end-of-year lists. Stereogum named it the best album of 2011, while Q ranked the album #41 on its list of the top 50 albums of 2011 [27][28] Paste ranked the album #13 on its list of the best 50 albums of 2011, after being accidentally left off the magazine's original list.[29][30] The same website also ranked the track "Honey Bunny" #11 on its list of the 50 Best Songs of 2011, calling it "the most memorable track [...] featuring a hazily upbeat chorus."[31] Pitchfork Media ranked the album #5 on its list, with Stuart Berman writing: "[...] even more so than its predecessor, Father, Son, Holy Ghost is a capital-A Album."[32] Mojo placed the album at number 30 on its list of "Top 50 albums of 2011."[33]
No. | Title | Length |
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1. | "Honey Bunny" | 2:41 |
2. | "Alex" | 4:59 |
3. | "Die" | 4:58 |
4. | "Saying I Love You" | 4:06 |
5. | "My Ma" | 4:05 |
6. | "Vomit" | 6:28 |
7. | "Just A Song" | 6:48 |
8. | "Magic" | 3:35 |
9. | "Forgiveness" | 7:58 |
10. | "Love Like A River" | 3:49 |
11. | "Jamie Marie" | 4:36 |
Total length:
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53:29 |
iTunes Bonus track[34] | |||||||||
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No. | Title | Length | |||||||
12. | "Love Life" | 2:29 |
Amazon Bonus track[35] | |||||||||
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No. | Title | Length | |||||||
12. | "Martina Martinez (instrumental)" | 2:45 |
The following people contributed to Father, Son, Holy Ghost:[36]
Chart (2011) | Peak position |
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US Billboard 200 | 37[5] |
US Independent Albums | 10[5] |
UK Indie Chart | 20[37] |
French SNEP | 123[38] |
Norwegian VG-lista | 21[38] |
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